My name is Valentin Grand, Val. I cook at the foot of the Fribourg Pre-Alps, in a house that looks toward India, Thailand, Vietnam and Japan. Here is the story.
I was born at the foot of the Fribourg Pre-Alps, on land my family has lived on for as far back as memory goes. Cooking came to me through the women of the house. My grandmother first, who taught me that simple products, treated with care and plenty of love, are enough to make a great meal. Then my mother, who dares to try everything and gets it right on the first go, she knows where she is going, and we have that in common. Around us, cheesemakers, a baker, a butcher: here, feeding people is what we have always done.
I chose the image first. A diploma in visual arts, years of photography, I observe everything, all the time, almost in spite of myself. Then, at the end of my studies, a restaurant job that was meant to last a few months. Cooking never let go of me: fifteen years later, it had become my craft, the only art that brought together everything I loved. Self-taught by choice, I have always sought to understand the essence of a preparation, how the transformation happens, what makes a taste hold, a texture respond. I went looking for the theory and the rigour nobody usually asks of the self-taught.
Then came the long journey. Months across Southeast Asia, invited to family tables, leaning over street stalls - tasting, watching, asking - always in direct exchange with the artisan, whatever the language barrier.
What seized me over there was deep time: gestures fixed three thousand years ago and still alive. In India, a few spices enough to create the infinite. In Thailand, the balance of the five tastes down to a simple fruit salad. In Vietnam, modest products respected without limit. In Japan, nothing, ever, done by halves. And everywhere, the same evidences answering one another: every cuisine invents the same gestures with whatever it has at hand, a bread to carry, a sauce to bind, a condiment to wake things up. I did not bring back recipes: I brought back a philosophy, a way of living cooking.
Mine is an author's cuisine: I build bridges between worlds. The French rigour inherited from Escoffier; the spirit, the tastes, the textures carried home from Southeast Asia. You will always recognise the shape of the dish, it is through its flavours that it travels: a fermentation, a spice, a composed condiment. And at the end, the pursuit of the perfect bite, the one that fills the mouth with flavour while staying within the beauty of the product, never its excess.
La Réserve de Val is a library of flavours, built up season after season, kept ready, at your disposal, to elevate every plate.
After fifteen years in restaurants, I knew exactly the experience I was looking for, all that remained was to build it. That is La Réserve de Val: a house of cooking rather than a restaurant, one that comes to you. The restaurant experience in the comfort of your home, without the constraints of a night out, delivered meals, a chef in your home, events, an artisan pantry.
I believe in simple products that time and care make sublime, Gruyère understood it a thousand years ago, Asia three thousand. Local roots, a global palate. And one conviction that will not move: you are not just coming for a meal, you are coming for a guarantee. The rigour of gastronomic work, the quality of the service, that is where the luxury lives, not in the price. I do the cooking, and I am the one who hands you your meal.
Cooking, sauces, photography, design, tools, delivery: I wear every hat, out of a taste for understanding and mastering what I build. Anything an industrial kitchen, or an agency, would do in my place, I do myself.
Recipes, cooking, fermentations: a local base refined by Southeast Asian techniques.
Years behind the lens: every image of the house is mine.
The visual identity, the labels, the gift sets, the website: the house's design, from jar to table.
The applications I build myself to run the house: production, costs, orders.